Part the first:
The day started badly with a poor night's sleep with no air-con. I had a complete sense of humour failure that was fixed by a giant mug of tea and some Vegemite on a baguette.


| The stairs out of the killing cave - didn't photograph the cave |
| Bats at 6.30pm. Looked like the milky way. |
| Buddha emerging from the cliff. |
I forget now where I read it, Lonely Planet? The Man in Seat 61? but bless whoever gave the advice about getting food for the train. This first leg was 13 hours and that is a long time to go without a snack.
As I was sitting on the train watching rows and rows of well-ordered trees going past, I started wondering why someone would try and do this. I came up with the following possibilities:
a) mad
b) crazy
c) a little deranged
d) showing off
e) it seemed like a good idea a the time.
I am thinking, in my case, it is e) with a bit of d) and some c).
That said, sitting in air-conditioned comfort at the front of the train, watching Malaysia go past was nearly as easy as watching it on telly. And I like the view from trains, you always get to see the back of things. From the road you mostly only see the front. I saw a goanna (or something that looked like one) climbing out of a river near one of the railway stations.
Leaving Keppel Road railway station in Singapore filled my romantic little heart with joy. It was easy to imagine that you were in a novel where people drank gin and tonics and wore beige. They are closing it down, soon. Relocating to a new, modern station that connects with their public transport system and will be much more efficient.
Once we were north of Kuala Lumpur, the view out the window stopped reminding me of country Victoria (with more palm trees) and started looking appropriately travel-documentary exotic.
I kind of wish Singapore (strangely like Melbourne, comfortingly familiar) could have come in the middle of the trip.
| Flight to Singapore - Emirates night sky |
The gate lounge is full of people taking pictures of the plane and the
sunset. An old guy is filming fellow passengers. There is a broken
escalator wailing away behind us. It is very peacful compared to the
last minute rush of cancelling and suspending and postponing my
Austrailian life. I don't think I'd have made it with out my parents.
I think the last time I did this, it was much easier to just leave.
I am quietly delighted that my overland trip starts with a flight and
I'm looking forward o the movie.
This post bought to you by that little genius, the kindle.
" Gyalpo, my horse, must not be forgotten--indeed, he cannot be, for he left the marks of his heels or teeth on every one. He was a beautiful creature, Badakshani bred, of Arab blood, a silver-grey, as light as a greyhound and as strong as a cart-horse. He was higher in the scale of intellect than any horse of my acquaintance. His cleverness at times suggested reasoning power, and his mischievousness a sense of humour. He walked five miles an hour, jumped like a deer, climbed like a yak, was strong and steady in perilous fords, tireless, hardy, hungry, frolicked along ledges of precipices and over crevassed glaciers, was absolutely fearless, and his slender legs and the use he made of them were the marvel of all. He was an enigma to the end. He was quite untamable, rejected all dainties with indignation, swung his heels into people's faces when they went near him, ran at them with his teeth, seized unwary passers-by by their kamar bands, and shook them as a dog shakes a rat, would let no one go near him but Mando, for whom he formed at first sight a most singular attachment, but kicked and struck with his forefeet, his eyes all the time dancing with fun, so that one could never decide whether his ceaseless pranks were play or vice. He was always tethered in front of my tent with a rope twenty feet long, which left him practically free; he was as good as a watchdog, and his antics and enigmatical savagery were the life and terror of the camp. I was never weary of watching him, the curves of his form were so exquisite, his movements so lithe and rapid, his small head and restless little ears so full of life and expression, the variations in his manner so frequent, one moment savagely attacking some unwary stranger with a scream of rage, the next laying his lovely head against Mando's cheek with a soft cooing sound and a childlike gentleness. When he was attacking anybody or frolicking, his movements and beauty can only be described by a phrase of the Apostle James, 'the grace of the fashion of it.' Colonel Durand, of Gilgit celebrity, to whom I am indebted for many other kindnesses, gave him to me in exchange for a cowardly, heavy Yarkand horse, and had previously vainly tried to tame him. His wild eyes were like those of a seagull. He had no kinship with humanity."